Buy Canon Lens Cap
Lens caps protect your camera lenses when the cameras or lenses aren't in use, whether you're storing or transporting them. Important factors to consider when buying lens caps are the right sizes for your equipment, and how you want them to adhere to your lenses.
buy canon lens cap
Although your camera probably came with lens protection, these small plastic accessories get lost easily. Having replacements is smart. In addition, you might also want to upgrade to metal caps, which provide more protection and eye appeal. Styles of front camera lens caps include:
Rear caps cover the part of the lens that attaches to the camera body. Use one to protect the lens when you have it detached from the camera for any length of time. Most rear caps are bayonet style and must conform to the bayonet design of the lens. Match the lens to the make and model of your camera.
The size of your snap-on lens cover is the same as the size of your lens. Look on the lens for a number and the symbol for diameter: a circle with a line through it. This number is the diameter of your lens in millimeters. If your lens has no such marking, use a metric ruler to measure across the center of the lens from the inside rim to inside rim. For a snap-on cap, measure the outside rim.
You can choose a front lens cover that's the same brand as your camera, or you can choose a generic one. You might choose an original part for aesthetic purposes, especially if the logo is front and center; but if this isn't a concern for you, the fit and function of a generic version will be very similar. Going generic generally results in cost savings compared to purchasing brand names, such as Fujifilm or Canon lens caps.
Lenses are a vital piece of camera equipment because if the lens is damaged, the camera is rendered useless. As such, it is important to protect them with a lens cap when the camera is not in use. Doing so goes a long way towards ensuring a long lifespan for your equipment and prevents your lens from becoming broken, scratched, or compromised by dust or other debris. As you shop, search for lens caps manufactured by a reputable brand such as Canon, as Canon lens caps are renowned for their quality and durability.
There are several types of Canon lens caps, including snap-on lens caps, screw-in lens caps, and push-on lens caps. Choosing the right one is merely a matter of personal preference, so when searching, consider the characteristics of each.
Before I buy the Canon lens adapter ring (FA-DC67A) and Canon 67mm Protective Filter, I want to confirm that even though the SX70 manual says you cannot use a lens cap with these attached to the camera, the Canon 67 mm lens cap (Canon E-67 II 67mm Lens Cap) should attach to the 67mm Protective Filter, right?
As far as I know, as far as the lens is concerned, the SX-70 is identical to the SX-60 (which I owned). I always put a protective filter on my cameras, so I got an adapter and had no issue putting a filter on my camera, and also a conventional lens cap. I did not put on a massive 67mm filter, I got a metal 58mm filter adapter from eBay and it worked perfectly. With a UV filter attached there was no vignetting as long as I got a slim-line style. The smaller adapter size is much less bulky and the filters are cheaper. If you go to the site and do a search for '58mm Metal Lens Filter Adapter Ring for Canon Powershot SX70 HS SX60 HS SX540 HS' you will find what you want.
Yup, John, it does say "included lens cap" in the pdf of the user guide. I thought I saw it somewhere implying any lens cap - maybe at some online help stuff at Canon. But yeah, the included lens cap won't go onto a 67mm anything, or the 58mm adapter and protector filter I'm going with... Thx!
I often carry my long telephoto lenses on my shoulder, either on a monopod or a tripod. Although I try to keep the lens pointed downwards to avoid dust, rain, snow, and other airborne crud getting on the lens element, if you walk far enough, that stuff will inevitably find its way onto your glass.
When I first saw photos of the Zemlin Photo lens caps, I knew they were onto something, but I needed clarification about the sturdiness of 3D-printed products. With little experience in this manufacturing method, all I knew was that 3D printing allowed for small-batch production of relatively complex shapes. Still, it leaves a somewhat odd-looking aesthetic compared to typical injection molding or thermoforming. From the photos, I found it hard to imagine what the lens caps would actually feel like. Did they feel like a product that could withstand the rigours of long-term outdoor use and constant travel?
Lens Cap E-43 protects your lens against smudges, bumps, and dust. It becomes extremely useful when carrying lenses around or simply for storing purposes. Lens Cap E-43 is compatible with the EF-M 22mm f/2 STM lens.
The Lens Cap E-49 protects your lens from smudges, dust, and bumps when carrying lenses around or in storage. This cap has a center pinch design that makes it easy to remove or replace, even with the lens hood mounted, and it will fit any lens with a...
Lens Cap E-52 II protects your lens against smudges, bumps, and dust. It becomes extremely useful when carrying lenses around or simply for storing purposes. Lens Cap E-52 II is compatible with the EF-M 18-55mm f/3.5-5.6 IS STM lens.
Lens Cap E-77 II protects your lens against smudges, bumps, and dust. It is extremely useful when carrying lenses around or simply for storage. Lens Cap E-77 II is compatible with lenses that have 77mm filter threads.
Lens Cap E-82 II protects your lens against smudges, bumps, and dust. It is extremely useful when carrying lenses around or simply for storage. Lens Cap E-82 II is compatible with lenses that have 82mm filter threads.
Lens Dust Cap EB protects your lens against smudges, bumps, and dust. It becomes extremely useful when carrying lenses around or simply for storing purposes. Lens Dust Cap EB is compatible with the EF-M lenses.
Lens caps are a small, but essential, piece of kit for any photographer. Without one your expensive camera lens is exposed to dust, dirt, and many other potential hazards. Don't risk unnecessary damage to your valuable equipment, make sure you carry these little lifesavers with you at all times.
I don't often evaluate discontinued gear, but the Canon EF 200mm f/1.8 L USM Lens had been tempting me for a long time.Your requests for a review were all I needed as an excuse to try out this legendary lens.
The biggest problem in reviewing this lens is finding one to buy - along with scraping up the cash to pay for it of course.There were not a huge number of these made and most people who have them will not sell them. My 200 f/1.8 L was sourced from "chamcamera" in South Korea through EBay.Lee at chamcamera proved reliable and seems to at this time have a deep source for these discontinued lenses.
My mint, high serial number, $4,600 200 f/1.8 L arrived safely - and quickly after a short stop in customs.My understanding is that this lens originally cost about $4,500 but was selling for as little as $3,400 before it was discontinued in 2003 (more about this later).
Supply and demand pricing was tilted toward demand in this case.Demand is high because this is the widest 200mm Canon AF lens ever made.With it's f/1.8 aperture combined with a relatively long focal length, this lens can capture shots that no other Canon lens can achieve.And for this reason, it is sure to bring a smile to your face - and to that of your family, friends and clients.
Along with a high price, the 200 f/1.8 L also has a high weight - 6.6 lbs (3,010g) without the .5 lb (227g) lens hood included.It is very dense, but still relatively large at 5.12" x 8.2" (130mm x 208mm) without the included lens hood in place.Adding the substantial 6.4" (163mm) high by 5.3" (135mm) wide ET-123 lens hood takes the measurements to 6.4" x 12.8" (163mm x 325mm).The difference in size required by the extra 1 1/3 stop of aperture over the EF 200mm f/2.8 is substantial ...
Above from left to right are theCanon EF 24-70mm f/2.8L USM Lens,Canon EF 200mm f/2.8L USM Lens,Canon EF 200mm f/1.8 L USM Lens andCanon EF 300mm f/2.8L IS USM Lens.The same lenses (sans the 24-70 L) are shown below with their included lens hoods in place.
Though handholdable, the weight of the Canon EF 200mm f/1.8 L USM Lens becomes uncomfortable after a relatively short period of time.The shape and front-weighted balance of the lens are somewhat uncomfortable for handholding as well.Much more comfortable is using the 200mm f/1.8 on a monopod.However, the tripod ring is a bit too far forward for ideal balance and control.Because the tripod ring is positioned near the front of the lens, the lens hood covers it when reversed.Obviously, the lens must be removed from a tripod/monopod for this to happen.This design does not even allow clearance for a quick release lens plate to remain attached to the tripod ring.On the positive side, the tripod ring is really smooth and has click-stops at 45 degree positions.
Also smooth is the MF ring which leads us into the next topic - focusing.The 200 f/1.8 utilizes a relatively fast rotary helicoid-type focusing mechanism driven by a quiet Ultrasonic Motor (USM).I found my in-focus AI Servo hit rate to be good, but not as good as the newer super telephoto lenses such as the Canon EF 300mm or 400mm f/2.8L IS USM Lenses.One shot AF has proven very accurate.A shallow DOF (Depth of Field) at f/1.8 makes getting perfect focus at shorter distances especially challenging to both the camera and the photographer.This ultra-shallow DOF is one of this lens' most desirable optical characteristics.The shallow DOF, combined with excellent bokeh (quality of foreground and background blur) and a 200mm focal length allow this lens to create a beautifully smooth background blur.It is very nice. 041b061a72